An autumn of anthologies

As promised, here’s a look into what I’ve been up to…and it’s all about a multi-author series and anthologies!

First is the vampire romance series I co-organized with fellow fantasy author Ophelia Wells Langley, Bound by Blood. (You can visit the series website here to learn more specifics, but the first novella publishes September 1st.) The entire series of novellas is for spicy fantasy romance fans, and has a variety of books (contemporary, period pieces, second-chance romances and LOTS of LGBTQ+ rep), all linked by the common theme of spicy (open door) vampire romance.

Naturally, more than a couple of the stories involve some kind of forbidden romance!

My novella, The Tainted and the Tamed, is set in a brand new world. The country involved is called Kaiden and is heavily drawn from Japanese culture and history, almost like an alternate history of Japan if vampires were power players. I have a minor in Japan Studies, have been studying Japanese for many years (too many to still be this bad!) and was able to base story settings on places I visited while living in Japan when I was younger and more mobile. It was a really interesting (and nostalgic) setting to write.

The Tainted and the Tamed launches September 8th. You can preorder here for 99c if you so choose!

I created a concept of representative rule by secretive vampire chairmen, which opens the door to a whole series…which will be called Vampires of Kaiden. This will happen depending on reader interest…which is not to say that I might just go, “You know what? I feel like writing more vampires!” and write the darn thing anyway.

The second story I was working on this summer is a short story called “Bright Arrow.” This story is related to Horace and takes place within a couple years of those events (Sydney makes a cameo!). I’ll be submitting that to the Indie Fantasy Addicts anthology, which was newly opened to the general pool of writers this year. If it’s not chosen, I’ll probably add some additional scenes and publish it…but I hope I’m chosen! Wish me luck!

Anthology number three is called Shift of the Seasons, organized by MJ Marstens. (You can preorder it here!) Proceeds go to a breast cancer foundation, which is a cause near and dear to my heart. The story I’m writing for it is a “must choose/I won’t share you” MFM romance…that’s two males interested in the same female character, and vice versa. The story is linked to my Season of the Fae series and takes place in the Connor Court well before it was cursed and lost to history, and has a puca female lead.

That’s all the news I have for now! Thanks so much for reading!

Cheers!

CKB

5 Awkward Situations to Make Your MC Shine

Ah, the joys of writing life! In the middle of editing Girl of Glass and Fury (an ongoing endeavor) and reading great books like The Theft of Sunlight, I realized one common thread that makes characters instantly endearing: awkwardness. A special feature was born!

 

5 Awkward Situations to Make Your Main Character Shine

Since not every character can have the same traits, I started noticing how authors get around this. Awkward situations put a chink in the armor of an otherwise confident and strong character, leaving room for them to rise above, fail miserably (or endearingly) and allow the reader to feel closer to the character.

  1. They lack experience almost everybody has

A late first kiss. An inability to ride in a world of horses. A lack of taste at a highly refined court.

These are just a few of the circumstances that make characters instantly endearing (as long as they know what they don’t know, of course). Characters in these situations allow the reader to travel along with them on their journey. As long as the circumstances aren’t pitiable (think of Daine in Wild Magic, unable to read because of her isolated upbringing), they can bring the reader closer to your main character. Heck, your readers probably root for your MC all the more.

Awkward Main Characters are vulnerable, human and relatable. With the right balance, they can walk the line between cringe-worthy and loveable, especially in a would-be romantic situation. (Think Mr. Darcy.)

  1. A new setting is a lot more complex than they ever thought

When your MC is a fish out of water, it’s the details that really count.

In Intisar Khanani’s The Theft of Sunlight, narrator Rae arrives at court to stay with her cousin. But she has another mission: after a tragedy at home, she arrives with a question about what the government is doing to track the snatchers and help recover stolen children. All of this involves more opportunities, danger and perilous politics than she ever imagines. Yet it’s the moments in which she’s drowning in lace, and the one in which she realizes just what kind of person is helping her (he’s not as savory as country girl Rae had hoped), that we feel the most sympathy for her.

Rae’s life as the hard-working daughter of a horse rancher leaves her out of her depth in the alternately fancy and gritty capital. It’s these little scenes that endear her to readers, even more than her instances of bravery and her drive to do what’s right. We all know what it’s like to make it through any number of complex hard times, only to be overwhelmed by one detail too many. Rae’s character is deeply identifiable in those moments.

  1. Everything they know is wrong

There are a lot of ways to play this one. Here are just a few examples:

  • The privileged MC learns how hard the lives of others are; is she brave/foolhardy enough to try to change it? (Thorn, by Intisar Khanani)
  • The privileged MC who plays an active role in it and must repent (The Black Witch, by Laurie Forest) 
  • The struggling MC who must realize she isn’t the only victim (The Dark Angel, by Meredith Ann Pierce
  • The history the MC has been taught leaves out inconvenient truths and puts everyone in danger (yes, it’s a plug, because it’s one of my favorite devices. I used this one myself in Girl of Shadow and Glass)
  • The seriously misjudged social situation that leads to disaster (Jane Austen’s eternal classic, Pride and Prejudice)
  • The villain isn’t who the MC—and everyone at home—thinks (An Enchantment of Thorns, by Helena Rookwood and Elm Vince)
  • The unknown villain who makes things way more serious than the (in this case innocent) narrator ever imagined (The Bear and the Nightingale, by Katherine Arden)
  • The MC who lands in a secret world (City of Brass, by S.A. Chakraborty)
  • The MC who realizes she’s not in the “real” world (Between Jobs, by W.R. Gingell doing double-duty in this post)

I’m sure you can think of even more examples of this!

  1. Their job isn’t what they thought

Your character’s job doesn’t have to say anything about them (after all, not everybody can control what they do. There’s a lot of MCs who end up as thieves). Your character’s approach to their job says a lot about them. Watching them change their views on it gives the reader a front-row seat to your MC’s inner character.

(Slight, vague spoiler ahead.)

Take Cleric Chih in The Empress of Salt and Fortune. They begin the story eager to be to the first to document Thriving Fortune, the former residence of the now-deceased Empress In-yo. Instead, Chih gets a tale of a revolution behind closed doors and all the secrets that entails.

Every character needs a flaw, a rude awakening and/or an unexpected outcome. In The Empress of Salt and Fortune, Chih thinks she has it all together until she hears more of Rabbit’s story.

Though Chih blithely tells Rabbit, the part-time narrator of The Empress of Salt and Fortune, that the abbey she comes from holds countless secrets, Chih doesn’t understand just what that means until they’re entrusted with them. By the story’s end, the pride that drove Chih to become the first to learn those secrets ends up making them shudder. As their companion, Almost Brilliant, puts it, Chih is experiencing duty for the first time.

Though the series moves away from Thriving Fortune, that telling change made me want to stick with Chih, who is a mostly passive MC in The Empress of Salt and Fortune, throughout their future travels.

  1. The unreal meets the everyday in their life

In Between Jobs, by W.R. Gingell, we see this happen in both senses: the MC’s everyday is interrupted by the unreal, and then the unreal is interrupted by the everyday.

When Pet ends up as an actual pet of two fae and one vampire who understands won’t speak English (not until he perfects it, anyway), she gets towed through the worlds Between and Behind, spots a sword pretending to be an umbrella, learns a little Korean on the fly and witnesses violent and bizzare battles she can’t understand. Being adaptable, she mostly manages to keep up, even if she can’t grasp everything she sees, and it’s interesting and hilarious to see her developing her new skills, often to the astonishment of her “three psychos.”

As fantastical (and often awkward) as that is, it’s when a policeman starts poking around that things get really interesting. Pet has to explain or redirect him from what was, until recently, unexplainable. She’s seen it with her own eyes, after all. Seeing those two (technically three) worlds constantly clashing, and watching Pet navigate it, makes for one endearing narrator and a very interesting start to The City Between series.

(Of course, you could also go the other way and have the MC blunder through the unreal. Dent Arthur Dent comes to mind.)

Have you ever put your MC into an awkward situation? Let me know in the comments below!

April updates

April '21 Updates

The business side: I have three—count ’em, three—promos to share with you all this month! Including two that begin today (more on the third next week).

Book promo 1: Otherworldly Beings (books featuring non-humans and former humans).

Otherworldy Beings is a sales promo for books in the romance, fantasy/sci-fi romance and fantasy/sci-fi genres. It goes until April 30th, 2021.

Book promo 2: Under the Surface (stories where things aren’t as they seem).

These stories are all in the sci-fi and fantasy genres. It’s a newsletter builder, which means free content! (Again, until April 30, 2021). Newsletter-builders are one of the major reasons my TBR list is so long!

I’m still giving away a 9 chapter sample of my debut novel, Girl of Shadow and Glass, but soon I’ll have a new offering with…

The Witch of the Unexpected Journey

The Witch of the Unexpected Journey Cover draft
The possibly final version of the cover...We'll see!

My novelette, The Witch of the Unexepected Journey, is in the (hopefully) final stages of development. The story bounces between Kijo, the Witch of the Northern Light, as a fourteen-year-old girl and a mature witch, famous for her garden and cures, who is now deep into her eighties. On both occasion, catastrophe strikes, courtesy of one mysterious Lord General who’s out to get Heroab’s witches.

In the future, I’d love to continue Kijo’s story. I have some ideas already, but with a series to finish and another in the editing process, I don’t know when I’ll have the chance to draft another book. I’m overflowing with ideas, people!

Other news:

The first chapter of The Fishermen’s Princess is coming this month! I can’t wait for you all to read it…but (not so subtle hint coming) you’ve got to sign up for my newsletter to receive it! To read more about it, check out my post here, or the Books page.

What I’m reviewing this month

The Road to Farringale (Modern Magick #1), by Charlotte E. English (quirky fantasy)

Thorn (Dauntless Path #1), by Intisar Khanani (YA fantasy)

What I’ve just read

Between Jobs (The City Between #1), by W.R. Gingell (quirky but dark, paranormal fantasy). What took me so long to get started on this series? Gingell already had me with Spindle [my review here], but throw in two fae and a Korean vampire and apparently you’re speaking my language. What is it I love about monsters and mythological creatures, anyway?!

What I’m planning to read

The newly released The Theft of Sunlight (Dauntless Path #2), by Intisar Khanani (of course!)

What I’m blogging about

Lace! Will this be an ongoing series? Who knows! But after finishing Atelier on Netflix, I am in lace withdrawal. I’ll be including pictures of my own work!

Also, an article about culture clash (my favorite kind of story) films is on the horizon…though maybe not for this month.

What I’m quoting

“A rose who wore her barbs proudly, as a warning. My beauty is not yours for the taking. Touch me and you will bleed.” —a determined Aster, describing herself as she’s about to face the beast in An Enchantment of Thorns, by Helena Rookwood and Elm Vince

“I wait, not daring to speak, for some things require quiet to come into being.” – Alyrra in Thorn, by Intisar Khanani

What I’m planning

A summer of Princess Disasterface. I hope to be back on the comic trail as my health issues (hopefully) ease up in the warmer months. If I could build up a backlog and keep releasing them for longer, that would be amazing. Keep your fingers crossed for me.

What I’m feeling

The joy of a brand new bookcase! With doors! Someplace to put my treasure trove of books, model horses and miniature izakaya (Japanese drinking establishment with small plates of food), when it’s finished. I do have to assemble the bookcase itself, too.

Also, that feeling of panic when you realize you’re laptop battery is running out but you haven’t saved your work yet. Sheesh! Get it together, lady.

Cheers and stay well,

-CKB