Zaina, the narrator, uses contemporary language, in contrast to the king she marries through a mysterious scheme by her conniving mother-figure. His more old-fashioned language gives the whole kingdom a traditional feel, like she’s stepped back into another era. The atmosphere at the castle, where servants are masked at all times, was one of the best parts for me.
Though this ends on a cliffhanger, I enjoyed reading it all the way through and seeing the slow-burn romance. The push and pull between Einar and Zaina was wonderfully executed, too. I look forward to reading more of this series.