YA books that changed the game (#3 of 9)

I read this one 20+ years ago, and it’s stayed near and dear to my heart all this time. Which means I had to re-read it before posting this. I’m talking about the one, the only…

Alanna: the First Adventure (Pierce) Review

Alanna: The First Adventure, by Tamora Pierce (The Song of the Lioness, 1983, YA Fantasy/Adventure)

This one seems short compared to today’s YA fantasies, with a classic plot line and a wonderfully designed world (Pierce uses the same world for other series, including The Numair Chronicles and The Immortals—and often the same characters). The young, small hero(ine) overcomes her weaknesses through hard work, is brave and doesn’t back down as she strives to become a knight. She just has to pretend to be a boy to do it.

Alanna is a rough-and-tumble, capable and sometimes temperamental girl, and to her, it is completely not fair that she isn’t a boy. That honor goes to her twin brother Thom, her complete opposite: young Alanna is afraid of the magic she holds, while Thom loves it; Alanna is kind and considerate (one would say honorable and chivalrous), Thom not so much, though both twins have a mischievous streak; and Alanna loves hunting, sword play, riding horses, archery—you get the idea—while Thom sees little point to wielding things with points.

A switch is in order, with Alanna becoming Alan and going off to service at the palace, while Thom, destined for the same, goes to the City of the Gods to learn all that magic stuff Alanna hates. She doesn’t have to become a lady, and he doesn’t have to become a warrior.

But Alanna doesn’t get to leave magic entirely behind. She has a true gift for healing, and a warning from the gods says that she must heal to make up for the lives she’ll take as a warrior (you don’t hear anyone telling the real boys that; no wonder she doesn’t listen at first). For all her magic, even she can’t change her nature. Being a girl threatens to deny her everything she’s ever wanted; the strict gender roles of her time and country mean she can’t be herself.

Alanna’s non-stop adventure isn’t just a feminist tale, it’s a human one that every developing human could benefit from–and of course enjoy.

Many of the things Alanna thinks and says seem to suggest a transgender child; perhaps she would be if the story were written later, but that doesn’t appear to be Alanna’s theme. She always intends to reveal she’s a girl–after she becomes a knight, so they can no longer deny her. In a straightforward way that is part of (and not a high-horse diversion from) the story, Alanna is about the restrictions gender roles put on everyone, and how it affects a person’s destiny. Alanna defies it, but most of us struggle to, won’t or can’t. She’s a hero where heroes cannot tread. How many YA fantasies manage to show their readers that?

Other books in the genre, set in a prior period, manage a tough and adventuring gal on a horse—but like Ginger Rogers (she did the same as Fred Astaire, except backwards and in heels), YA fantasy heroines often have to do it all with long hair and a skirt or dress. Not Alanna. She fully embraces her kingdom’s male role, even if mother nature sometimes gets in her way. Even Aria Stark never has to pause for a period.

I wouldn’t have understood the value of all this, reading it for the first time as a young teen (I think the extent was: Girl becoming a knight! Thrashing the boys and proving herself! Yeah!). The way all of this is handled in Alanna is at just the right level for a young person, yet better appreciated as an adult.

At the same time, I can’t help wondering how much I already identified with Alanna’s plight when I was young, and how much every young teenage or pre-teen girl does. I didn’t remember Alanna’s lamentations about being a girl who’s not allowed to do things, which means I either thought it was just part of the story and had nothing to do with today, or on some level took it as true. Now it stands out. It almost seems too obvious.

Other parts of Alanna: the First Adventure I remembered clear as day, like a trip back through time (a truly great book, or song, can do that). I remembered reading one particular scene with the Thief King George on my grandparents’ couch one summer, like it’s a photograph. It very happily took me back. Still, on this re-read, the level of Alanna’s ire at being stuck as a girl surprised me.

It’s not just her, though: her brother Thom wants nothing to do with the path expected of him as a boy-slash-son, which is neatly done; he also has to pretend to be less intelligent and talented than he is, so he doesn’t earn undue attention and won’t be perceived as a threat. This isn’t a feminist tale, it’s a human one. And I would recommend it to any developing human.

All of that was just about the premise, which matters, of course, but doesn’t do it justice. Alanna: the First Adventure is also a lovely read, and Pierce’s writing can draw a person in and keep them there, even if you only give her less than a page. After all these years, I can’t stop myself from rooting for Alanna, an undersized, courageous and stubborn heroine, like she’s real. Then again, why would anyone want to try?

Up next in this blog series: Wild Magic (The Immortals), also by Tamora Pierce.

Indie Book Spotlight: Throne of Sand (Rookwood, Vince)

In today’s Indie Book Spotlight, we revisit Helena Rookwood, author of the excellent new adult fantasy/romantic fantasy The Prince and the Poisoner (see my review from March 2020 here), and are introduced to her friend and writing partner Elm Vince in:

Throne of Sand (Desert Nights Novels Book 1), by Helena Rookwood and Elm Vince (April 16, 2020; Teen/YA Historical Fantasy, Historical Romance, Asian Historical Fiction)

(Note: I received a free digital copy of this book in exchange for an honest review.)

Familiar, then unexpected.  Throne of Sand is a book that caught me by surprise—in a very good way.

Its basic premise is not so unusual, with a tenacious, un-ladylike for the times female lead.  It’s written in familiar, contemporary language (not my favorite for a story in an older era, but it ended up suiting the action well).  As a retelling of Aladdin, it’s a story we’re well acquainted with (comfortingly so), complete with cheeky little nods to the movie adaptation and callbacks to the original folktale (this djinni is in a ring). But this time, the hero is a heroine: Zadie, the princess who reads, writes, rides bareback and knows her way around a trade agreement.  In other words, she is not the princess her fiancé expects.

Especially because Sultan Kassim was engaged to her sister.

Zadie hides a very large secret, having helped her sister elope with a commoner she loved.  But the replacement princess is not all virtue and romantic ideals: Zadie wants her sister to be happy, but she also wants a chance to rule, something she’s prepared for and never had a chance at until now.  She’s not above a little manipulation, and her servants are not above caking her with makeup to make her the legendary beauty Kassim was promised.

This Aladdin retelling is fast, full of action and fun–and even the djinni gets a backstory.

After a very tense meeting with the sultan, Zadie travels to her future kingdom, where she spends her time ditching her servants and trying to prove she can be a sultanah who rules, rather than one who just looks pretty on her powerless throne.  She has to balance her kingdom’s need for the marriage to go through with getting what she wants.  The tightrope act soon gets irritating, both for Zadie and for this particular reader.

Fortunately, Zadie’s adventurous nature gets the better of her and the best parts of the story come on fast, full of action and fun. Even rude, tradition-obsessed Kassim, whose sole virtues were his title and muscles, starts to soften after a bit.  The wooden sultan becomes a real boy, and it turns out he isn’t half bad.

I wasn’t familiar with Elm Vince before this, but I knew from The Prince and the Poisoner that Helena Rookwood can write amazing and unique female characters (resilient ones, to be sure).  Like the royalty in The Prince and the Poisoner, nobody’s a hero or flat-out scoundrel in the courts of Throne of Sand.  The characters in this tale are also more dynamic.  We see them grow, show their true colors and correct their mistakes throughout the story, and Zadie turns out to be a great deal of fun as a main character.

She certainly knows how to find trouble, too.  Like Rookwood’s Lira, she never crumples in the face of it (unless, you know, it’s physically impossible not to.  Again, there’s a lot of great action in Throne of Sand).  Zadie has intelligence, diligence and toughness to commend her, and whenever she has a sheltered princess moment or two, she manages to redeem herself with her cleverness sometime after.

This is one of those books that I really looked forward to picking up again, only to remember I’d just finished it, which left me really disappointed that I couldn’t go back for more.  (Thank goodness the sequels are now out.)  Our princess may start out helpless and a little on the scheming side (and a lot on the naïve side), but beneath all that is true, three-dimensional character, and just the right traits for someone who hopes to rule.  For all my grumbling when I started reading, it becomes impossible not to root for her—and important that I must read what happens next.

YA books that changed the game (#2 of 9)

Did you see?  I have a mailing list now!  It’s right there, in the sidebar!  (Or maybe below, if you’re on a mobile device).  Now, without further ado…

Today’s YA novel that shaped me and countless others in the pre-Harry Potter days is 1995’s Sabriel.

Sabriel Review

In high school, I had a wonderful English teacher.  No matter how much you disliked a book from the summer reading list or complained about it with your classmates, you left her class appreciating that book.  Then there were the non-reading list books you read for fun, that you’d prefer to spend your time with instead and couldn’t wait to get back to.

Sabriel is in both those categories for me.

As a kid voraciously reading it, I loved the interesting world with just enough horror to creep me out but not keep me up at night.  A disdainful talking cat?  A magic book?  Yes, please!  It was unlike anything I’d ever read.  But that was where the trouble started: the ending.

Without spoilers, I will say that I read to the end, a part I usually savor, and thought, What?!  That’s it?!

It was so abrupt, it left me feeling cheated after all that excitement.  But that was the thing: I’d never read a book that didn’t wrap things up pretty neatly at the end.  I didn’t know where the characters ended up, if they ended up together, how things worked out…no happily ever after, or ever after mentioned at all.

To top things off, the sequel, Lirael: Daughter of the Clayr (I think that was the original title) didn’t come out when expected.  I kept searching each time I went to the bookstore, because young people didn’t and probably couldn’t look for books on the internet then, you see, and each time nothing was there except Sabriel and Shade’s Children.  Where was it?!  What happens next?!!!!

And that, right there, was the mark of an excellent book.  For all my grumbling I wanted more, perhaps because of the way it ended but mostly because of the experience of reading it as a whole.  I loved Sabriel.  I still think of it as one of my favorite books, because of the book itself and because it changed reading for me.  Even for a Goosebumps fanatic (that link there is to the first one of those I read), it opened up a whole new kind of world.

Sure, there were some growing pains for me.  But Sabriel has stood the test of time, not just as a popular read and YA book of legend, but in my own memory.

Years later, I finally met Lirael and the Disreputable Dog.  And while that is one of my favorite books, too, Sabriel is special.  It’s not just the first, but one of a kind.

YA books that changed the game (#1 of 9)

Today, I want to take a moment to share one of my favorite YA books from when I was that age.  This is the first of nine posts about books in the Young Adult genre that changed me and countless other readers.

Talking to Dragons (Wrede) Review

 This is the last of four books in the series The Enchanted Forest Chronicles.  I actually read it before the others (apparently most people did when it first came out in 1985, because it was published first, as a standalone.  I picked it up in the 90s and was none the wiser).  Thanks to a strong attraction to the cover illustration and back copy (plus the other books in the series being sold out!) I ignored that “Book 4” business.  My mom bought it for me, and I read it multiple times.

The thing is, Talking to Dragons is great on its own.  It’s the only book in the series that jumps ahead to the next generation, though reading it first did spoil major plot points of books 1-3, which I then read like prequels.  I will always wonder what it would’ve been like to discover it right side up (you had to go out to a bookstore then, so I’m guessing the wait to get #4 was devastating).  But learning everything alongside the main character and having that element of surprise is worth it.

It all starts (finishes?) with Daystar, a boy living alone with his mother, suddenly discovering that his mom can use some pretty powerful magic.  I won’t spoil what happens next except that Daystar ends up leaving home on a great and perilous adventure with some odd new friends he finds on the way.  I laughed, I wanted a dragon (would give him some Jell-O dessert), and I kind of identified with the fire witch.  It was a wonderful world and story that invited me to dive in and join in my own way.

I recently found the series (I’m Kon-Marie-ing) in a Ziploc, tucked away in a storage container with many of my other treasures.  As I prepare to possibly donate my set of four to the library, I hope to be passing on my love of this series to others.  And getting a new digital copy, of course.

Free ebook, (always free) comics!

First post of 2020!  I hope you all had a great New Year…and if not great, then perfectly quiet and uneventful. 🙂

A Shadow in Sundown is about to start a promotion (Jan. 8 – Jan. 12, 2020)…so, any second now!  The digital book will be free to all readers for 5 days only.  The writing is “clean” (no swearing or excess violence), it’s written in a unique but easy to read dialect (a combination of post-colonial American and contemporary informal/folksy) that really brings it to life.  It’s suitable for young adult readers on up (I personally still read a lot of YA–it is my first love, after all).

This is the story of a fragile, “frail” girl who gets caught between two worlds: the one she was born in and the one she visits every day, where she is taught by some very dangerous residents…Do check it out!  Don’t forget to write a review and be honest.

Here’s a little sample of Chapter 1 to pique your interest:

I’m five minutes late to leave the house when Mum starts sewing up my jumper, with me already inside it and raring to go.  I’m so hungry I can barely get my shoes on.

“I’m going to miss my meal, Mum,” I complain.

“’Course you won’t.”  Mum keeps sewing, and frowns when she runs out of fabric before she runs out of me.  “They wouldn’t let you starve.”

“Teacher Imila would.  She’s strict.”

“No one’s that strict, dear.  The shadows know they have to be careful with you.  Your father and I made sure of it.  Hold still, Kith.  You know I can’t have you catching cold.”

“It’s hot out, Mum.”

“Then I can’t have the sun getting you.”

I lift my arm despite her fussing.  I can count two ribs where the stiff fabric doesn’t meet.  The ancient bone needle is dangling, and Mum snatches it before it can graze me.  I don’t care about scratches from little needles, but I do care about missing my meal.

Mum tuts when I say as much, but then she makes a knot and breaks the thread anyway.  “I bet there’s ten-thousand shadows in their World, and out of all of them who might be teachers, Imila has to be yours.  Go on, Kith.  And slow-like!  Not like yesterday.”

As soon as I get my bark-bottomed shoes tied I ignore Mum’s warning and run straight out the door.  Home is up north of the Old Well, so it’ll take me much too long if I take a cautious walk, and then I’ll be hungry till goodness knows when.  Besides, there’s nothing like running through the valley with the warm wind of the yielding months slapping at my skin.  People like Mum can’t understand.  No one in Sundown can.

Of course my Auntie Arlhabee sees me while she’s out in the garden my mum helped her plant.  As soon as she realizes it’s me whizzing by, she starts to yell.

“Kith Canto, you stop your running right away!  You know what happens to children like you when they stumble and fall!  Oh, and look at you with your bare arms and legs!”

“Anon, Auntie, I’m late to get to the Gate and I haven’t any time!” I call over my shoulder.

I veer away from her garden, all nimble-like as only I can be.  She gasps when I almost stumble, but I manage and go on.  These shoes are supposed to protect my feet from twigs and stones and the like, but most of the time they just make things go half as fast and twice as clumsy, and it’s the Eighth Month besides.  I’d much rather be barefoot.

“You stop this instant!” she keeps shouting, and she looks like she’s about to pull out all her pretty, gossamer black hair.  “I’ll get your Uncle Cahn’s wheelbarrow and take you down there myself, before you break your neck!”

I just go on running and let the summer wind hit me in the face.  I get scolded wherever I go, and a couple of the more solid folk look like they might grab at me.  Once, I feel someone catch at the curls flying out from my back.  Thank goodness he or she thinks better of it and I can keep going without breaking stride.

I have to shorten up my steps to head down the slope, and that’s when I realize I got a follower for real this time.  I look over my shoulder and brace myself like I really am gonna get grabbed, but it’s only my friend Finchoa.

Finchoa looks like she’s been chasing after me for I don’t know how long, and she sure won’t be grabbing me ’cause she can’t hold on to so big and solid a thing as my thin little arm, even if she tried with all her might.  She looks like she’s breathing as hard as me just to skim on over.

I can tell she’s relieved when I stop between the willows, ’cause now there’s something to block the wind.  She’s a wispy one, and it’s hard for her to move around when there’s so much as a stiff breeze on.  She’s got no weight to her at all.

“Oh, Kith, why do you have to do that and scare everybody half to death?” she whines while I let her catch up.  I’m working on getting my breath back myself, and easing the pain in my shins so I don’t trip down the slope and land face-first into a big old tree.

“Nobody in all the World knows what it’s like to starve but me,” I tell Finchoa, “so I can’t be late, and you’ll just have to take my word as to why.”  I try to rub the cramping out of my shins while Finchoa perches beside me on the ridge, and I guess she radiates concern.  ’Course she’s concerned for the wrong reason, which she always is, being the worrying type.  The only thing I worry about is not getting my meal.

I’m so close to the Gate now that I can feel the hair standing on my arms and the back of my neck.  The wispy folk like Finchoa can never tell, but ones like me and my family can feel a shadow within a furlong.  Doesn’t matter what kind of a breeze there is, our hair is gonna stand straight up and our skin is gonna prickle when there’s a shadow on the frontier.  Sometimes I even get a cold feeling, like when I’m standing at the mouth of the old dried Well and the cool air comes up from underground.

I kind of hate my lessons with the shadows all hanging around me.  But I love to eat, and I need to eat, so what’s the use in complaining?  If it weren’t for the shadows I’d be dead.  That’s the awful truth of it.

Phew!  So that’s my sales pitch done.  In other news, we have a brand new episode of Princess Disasterface!  Episode 2.1 is here.  We’re back on our regular timeline, though it won’t be the last we’ve heard of Leona and that mysterious cheeseburger-topped present.  I think the final panel is my favorite I’ve drawn so far!

Cheers to you all,

CKB

Indie Book Spotlight: Sunbolt (Khanani)

I’m trying something new tonight.  This is about to be my first Indie Book Spotlight:

Sunbolt Review

Sunbolt (The Sunbolt Chronicles #1), by Intisar Khanani (Clean YA Fantasy; 2013)

This one’s a fantasy, and would work for YA-readers.

Note: the author is soon to leave the indie ranks, though The Sunbolt Chronicles are staying in the self-published realm as of this post.

So what’s it about?  An ethnically mixed foreigner in a place where that’s a dangerous thing to be, where sinister government plots are afoot (plus those who are working against them).  The main character, Hitomi, dashes through a vibrant market, meets vampires and werewolves, steals to survive and rebels to live.

OK, so when I started reading this I thought, “Yeah, this is a good story.  Well-written.  Not really my taste though.  Why did I buy it?” Then I kept reading and found out.  Yup, Sunbolt was for me.  And I loved it.

Hitomi was a breath of fresh air, and Sunbolt and its sequel (Memories of Ash) taught me a lot about good world-building.  It was also a perfect remedy for the doom and gloom of other fantasy tales I’d been reading.

I actually had no idea the author was self-published until I reached the end (which did come too soon, but in a “Where are the sequels, I need them now!” sorta way).  Khanani, who will be traditionally published with a new version of her novel Thorn, writes clean fantasy, meaning her work contains suitable language for a wide audience.  Mind you, the monsters and violence in Sunbolt may scare younger readers and could be inappropriate.

Official synopsis:

The winding streets and narrow alleys of Karolene hide many secrets, and Hitomi is one of them. Orphaned at a young age, Hitomi has learned to hide her magical aptitude and who her parents really were. Most of all, she must conceal her role in the Shadow League, an underground movement working to undermine the powerful and corrupt Archmage Wilhelm Blackflame.
When the League gets word that Blackflame intends to detain—and execute—a leading political family, Hitomi volunteers to help the family escape. But there are more secrets at play than Hitomi’s, and much worse fates than execution. When Hitomi finds herself captured along with her charges, it will take everything she can summon to escape with her life.

That’s all.  Thanks for reading!

-CKB