Review: A Trial of Thorns (Rookwood & Vince)

July 13, 2021July 12, 2021

A Trial of Thorns (A Court of Fairy Tales #2), by Helena Rookwood and Elm Vince (June 17, 2021; fantasy, fairytale retelling)

(Note: I received a free copy of this book in exchange for an honest review.)

A Trial of Thorns departs from its roots as a Beauty and the Beast retelling as a major plot twist plays out, dropping Aster in the middle of court fae trials to determine who will be the next king or queen of the fae. Best of all, Aster, whose character is drawn from Belle/Beauty, continues to forge her own path.

Caught in a contest of fae heirs as an unwilling champion, Aster flounders more desperately in A Trial of Thorns. And it’s no wonder: she’s in unfamiliar territory. Everything about the fae of this series sets them apart from humans, from their unearthly beauty to their superhuman abilities and lifespans. Aside from Thorn and the Forest Court, humans don’t mean much to the average fae—and are treated accordingly. Worse still, Aster’s abilities as a greenwitch and enchantress are rendered null in the Sky Court, where the only plants are contained in greenhouse.

I appreciated but did not fully love A Trial of Thorns at first (excepting the parts with the wonderful brownie Mosswhistle, who is perfect in all scenes). The last third to quarter of the book, however, is superb. The authors don’t let Aster and Thorn have a mindless happily ever after that ignores their problems. Instead, they lean in to the severe issues between humans and fae.

It’s a pleasure to see Aster not let Thorn and her other fae friends off the hook, and to take charge of her situation. The serious conversations between them are well-rendered and everything you’d want from an independent and compassionate heroine.

The descriptive writing is not as strong in this book, largely because Rookwood and Vince excel at writing about the natural world—especially when it skews toward dark fantasy. The Sky Court is almost clinical in nature, full of marble and character-less luxury (the House Hunters crowd would be unimpressed, but hey, Faolan’s got his own style). The Trials themselves are creatively designed, and reminded me pleasantly of Harry Potter and the Goblet of Fire, with a dash of Greco-Roman mythology. Which means there’s always a clever twist for readers to enjoy. Those are my kind of trials.

I did miss the authors’ forest descriptions and the constant danger of the Folkwood. The dangers Aster faces in A Trial of Thorns come more from brutal, conniving fae plots and politics; those who enjoyed reading about Tyrion and the other Lannisters in George R.R. Martin’s A Song of Ice and Fire series will be happiest, while fans of Alexis Henderson’s The Year of the Witching will be rooting for Aster to find her way home.

A Trial of Thorns is something of a transitional book, as so many second books are (I’m looking at you, Harry Potter and the Chamber of Secrets!), and that usual means some growing pains. But I put down this book satisfied with the direction the series is going in, happy with Aster’s evolution (get ’em, girl!) and excited for whatever happens next.

To learn more about these authors, please visit helenarookwood.com and elmvince.com.

Indie Book Spotlight: Tapestry of Night (Vince)

February 20, 2021February 19, 2021

In a world where only one late-bloomer can save her people from a terrible fate, the time has come…for another Indie Book Spotlight!

Tapestry of Night (Star Cast Series #1), by Elm Vince (2020; Romantic Fantasy)

The opening chapter of Elm Vince’s Tapestry of Night shows us that fate can be written in the stars—if those stars are charted properly. Thanks to the Stellar Sisters of Celestial Devotion, Cassia is an expert of making natal star charts, and she has an “uncanny intuition” to go with it.

Eventually, Cassia entrusts the reader with the exciting secret that she has the most unusual—and difficult to understand—prophesied fate of anyone. For a magically late-bloomer with no shortage of problems, there seem to be a lot of important roles heading Cassia’s way. Too many, in fact, to be solved in one book.

Which is why I need the next book.

This is Elm Vince’s debut solo series (Vince co-authored the Desert Nights series with Helena Rookwood). Teasers aside, Tapestry of Night really hit all the right notes for me. The tone isn’t overly dark and depressing, the truly bad guys are creepy, the love interests are unlikely and there’s a truly loveable alchemist to boot. The spy plotline is put to very good use. It reminds me of Brandon Sanderson’s The Final Empire (Mistborn series). Fans of Garth Nix’s Abhorsen series will probably love it, too.

There are a lot of details in the opening chapters about monstrous snatchers, mysterious nuns in astrology-themed convents, and a few types of magic. The backstory and said details are never piled on, but carefully set the stage for a riveting story in which the stars are nearly omnipresent. Tapestry of Night is literally and figuratively dark from the beginning, with warm characters and fanciful magic to light the way.

As the nature of the Governance is gradually explained to the reader, things get a whole lot darker. It’s illegal to be a mage in Myrsia, and those with a talent are taken by snatchers to become Governance slaves. They’re also fitted with alloy collars to restrict their magic. In the Governance’s eyes, magic is too dangerous, and the alloy makes it safe (but cruelly useable).

Unlikely spy: struggling to control new magic, Cassia must sneak away to “a quiet shadow in a city of light” in order to study with endearing alchemist Ptolemus.

And then there’s the Defiance. Hidden away in the Rust Desert, the Defiance is the last vestiges of the now-eradicated Guild’s magic-users, but signs of former glory exist in the capital, too. The glasshouses Cassia uses as a rendezvous point was once “created and tended to by the Guild’s earth-signers, housing exotic greenery from across Myrsia and beyond. Now they sit abandoned, the plants slowly trying to reclaim the building.” There’s a lot of horror and decay behind the capital’s pretty veneer.

Myrsia’s Governance is reliably crooked and pitiless (without any flat villains, just some blind ambition). But the Defiance may not be all they’re cracked up to be, either: after all, they kicked Cassia out as a girl, right after her father died on a mission, because she had no magic.

All that changes as Cassia wanders into adulthood. She has an empath’s gifts, but they refuse to work in the usual way. She can feel what others feel, not just sense it. And it’s pretty out of control besides.

Depending on whether she can learn to control her gift, Cassia just might be the Defiance’s perfect spy. But she has zero time to master it. With the life of a friend on the line, Cassia is about to head off to the capital with a fake identity, where she witnesses constant reminders of how important—and dangerous—her task is.

Eventually, as a side note, we hear there are fey out there somewhere, closed off in their own country across the sea. And for an unknown reason, the leader of the Governance is out there visiting them. This series has a whole lot of space to grow, with some interesting plot points set up for the next book.

The settings of Tapestry of Night are just as interesting, from a red desert to the peculiar convents to the inner bureaucratic chambers of the Governance. The Governance is sort of like evil Hogwarts at times, complete with its own wizarding ball.

On a copy editing note, the excess of commas can be looked past after a bit, so don’t let that stop you. This is a great take on magical “job classes” and a good late-bloomer story, too. Not to mention the spy-craft! I’ll be continuing with the series for sure.

Indie Book Spotlight: The Thief and the Throne (Rookwood)

November 28, 2020November 27, 2020

The Thief and the Throne (Carnival of Fae Book Two), by Helena Rookwood (New Adult Fantasy, Romantic Fantasy; 2020)

For my review of the first book in this series, click here.

{Note: I received an advanced copy in exchange for an honest review.)

Lira Potion-maker is back…minus her talent with potions. In fact, the ex-circus girl can’t even read a decent fortune these days.

The second book of Helena Rookwood’s imaginative Carnival of Fae series finds Lira fleeing with the perennially handsome and irritating Kit, whose true motivations are unknown. The reception they’ll receive at their timely winter destination? Also unknown. The reason Lira can use fae artifacts she’s never seen before? You guessed it: unknown. The only thing Lira does know is that the eyes of the Fae gods are upon her, and that ain’t good.

Lira is easily one of the best female main characters in fantasy. She’s strong without being a fighter, a fantasy character who does not lose herself to fantasy; if her heart beats a little faster at the sight—or touch—of a handsome young man, she is back to being an ever practical and self-serving survivor a moment later. She lies, cheats, and ignores advice in favor of what she (very impatiently) would rather happen. She also has no interest in the lives of the wealthy and powerful—just the sort of people she finds herself surrounded with these days.

Fae artifacts cause serious trouble in The Thief and the Throne, especially for Lira, who can use them without training–and like everyone else, she has no idea why.

All of this is a bold choice by author Rookwood (really, when was that last time you read a heroine who lies that frequently and isn’t a spy or something?). But Lira is never unlikable, even if her actions make the reader cringe from time to time. That’s because no matter what happens (and a whole lot does, in this book), Lira is always true to herself. Her well-developed character allows her to make mistakes and still be a MC worth following. In fact, it often makes her story more exciting.

The Thief and the Throne has a smaller scope than the dazzlingly magical The Prince and the Poisoner. Lira’s choices, once a focal point of the series, have dwindled, leaving the story with a higher ratio of action to intrigue. The Thief and the Throne derives a lot of its tension from character development, too. You can never really be sure who will end up helping Lira, or who will do worse than the opposite.

One development is the labeled slow-burn romance. It comes in the form of a very pleasant Mr. Darcy-esque twist, one we’ll have to wait for the sequel to see more of. I won’t say who the potential love interest is, but in the world of Carnival of Fae, nothing is for sure.

There are some genuinely cool moments in The Thief and the Throne, interesting twists and a persistently wonderful (if more sinister) magical world. This is an enjoyable and exciting read, and the perfect follow-up to The Prince and the Poisoner. You’ll never think of the smell of caramel (burnt or otherwise) the same way again.

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New comics and reviews on the way!

September 18, 2020September 18, 2020

Hola!

I just served up a brand new episode of Princess Disasterface, titled Bunny Slippers and Truth. (Not to be confused with the bunny slippers OF truth. Sounds like my kind of superhero accouterments.) I’ve been a bit stuck on what will happen next lately…and the answer turned out to be a plot twist! Episode 2.6 also turned out longer than most (funny how that works). I hope you all enjoy it.

In other news, I’m learning to use a new comic-specific app, Comic Draw (not affiliated). It’s not as intuitive as Tayasui Sketches (still not affiliated)…except when it comes to coloring in my drawings. So I’m using Comic Draw to make a special in-color edition of Princess Disasterface, but it is taking time. I currently have no timetable for release, and my current thinking is to make it available to mailing list subscribers. It’s a lot more work this way, and there will be some exclusives in the special edition (like actually seeing the king! And not just his bunny slippers) to sweeten the deal.

You can see the polished look Comic Draw offers in my latest edition of Growin’ Pup (pictured), and in a forthcoming Social Isolation. (That’s right…I’m still working on that one, in life and in comics.)

In book review news, I just got an advanced copy of Sarah K. L. Wilson’s Sting Magic. It’s available for just a few more days for those on her mailing list. If I like it, it’ll be this month’s Indie Book Spotlight. I have her Bridge of Legends compilation on my Kindle, just waiting to be read, but for now that will wait.

And now for some book recommendations!

I’ve been fortunate to read three exceptionally well-written books in a row. The first was Anna Velfman’s Snowblind, then The Year of the Witching by Alexis Henderson. And right after that, a book I’ve had my eye on since it was in hardcover came up on my library waiting list: Gods of Jade and Shadow , by Silvia Moreno-Garcia. I loved all three, but the last two made me wish there was a bit more to the post-climax wrap up. I won’t hesitate to pick up subsequent books by any of these three authors, though (Moreno-Garcia’s Mexican Gothic is already on my Holds list).

Stay tuned for many more reviews! And in the meantime, please stay well and take excellent care of yourselves.

-CKB

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